The original article can be found at: http://theopenscroll.blogspot.com/2016/06/gotthard-base-tunnel-opening-ceremony.html The spirit of "Antichrist" is strong in this world!
If you watch the video you'll see that, at the end, the train on
screen that has emerged from the tunnel rises into the sky. It ascends into the
heavens to reveal that the train represents a heavenly transport. The
train-as-transdimensional transport is reflected in Joel 2:7-8. The tunnel
represents the underworld, the abyss, the Duat. When the first official train
trip ends and it is seen emerging from the tunnel, the subdued worshiping
troupe erupts into a celebration with wild abandon. The train represents the
god known as Apollo and Horus, and the horde of his companions who are released
from the pit as per Revelation 9:1-6. The Alpen Horns then are as the sounding
of the 5th Trumpet.
The wonky clock is worshiped not because they have sacrificed
the funding and labor of 17 years to save time while traveling but because the
gods of time themselves are being worshiped. The horned dancer's butt is given
attention as it's in our faces and the faces of the celebrated attendees. Butts
and wonky time and dimensional transits. There's a relevant collection, yes?
The Pagan celebrants hold their hats (butt symbols identifying the Luciferian
illumination via ritual sodomy) aloft and lay them down before the clock in a
perversion of how the 24 elders lay down their crowns before the Holy and
Eternal Most High God in Revelation 4:10.
Death. Reanimation. A stargate time tunnel opens up about 6
hours 6 and a half minutes in. Chaos. Spirits enter our realm. The scarab
beetles or dung beetles represent Osiris. The beetle pushed dung as a model of
the sun being moved across the sky by their sky god aka Ra and Horus, etc. Sky
god and god of the day, the night, and of time itself. They are identifying the
chief entity in connection with their goat headed god. The ritual is evoking,
inviting, worshiping. The blinking eyes on screen. The all seeing eye of Horus.
Eyes all around, like the throne vehicle described in Ezekiel 1:18. The Alpen
horns cause a transformation, with the voice of the shrieking goat archangel...
sound, acoustic energy, people are "ascended" (avatar-ed by the
demonic entities, the spirits of the dead Nephilim who transmitted through the
portal from the abyss) and they become like the hairy beast they worship. Sex
magic is the basis, as it ever was.
At 6 hours 24 minutes in, the May Queen symbolically gives birth and they spank the “baby's” bottom. This is celebrating a birthing into the world through the goddess.
The red and white striping signals the red Adam-kind being made white-divine, through the merging with that beast that they believe will ascend them. It's the ancient hope we now associate with transhumanism. It's called in the Bible, the mark of the beast. The gods named Cernunnos, Nodens, Pan, Baphomet, Hermes and Mercury (and Satan and Lucifer), as well as the goddess, are honored for their role in facilitating the dimensional transit.
Dates are important for pagan rituals. I note that June 1, 2016, depending on how you write it, is either palindromic (or reflexive) (6/1/16), or is a repetition of a signal number (1/6/16).
16 = 8+8 or 88 so 1/6/16 repeats it for emphasis, 88 and 88
That's the signal number for Mercury, as the number of days it takes to orbit the sun. That god, who is being celebrated, is the speedy messenger of the gods and the psychopomp who escorts others into the underworld realm.
This same kind of thing is what the Olympic ceremonies are always about, and you can be assured that sacrificial rites are being performed already for that undertaking, just as they have been for what was just witnessed in Switzerland. BTW, Geneva is claimed by some to be the #1 most Occult city in the world.
These pagan rituals, both public and private, have an impact. Not just on those who participate and are witnesses, but on all of us because it changes the world.
At 6 hours 24 minutes in, the May Queen symbolically gives birth and they spank the “baby's” bottom. This is celebrating a birthing into the world through the goddess.
The red and white striping signals the red Adam-kind being made white-divine, through the merging with that beast that they believe will ascend them. It's the ancient hope we now associate with transhumanism. It's called in the Bible, the mark of the beast. The gods named Cernunnos, Nodens, Pan, Baphomet, Hermes and Mercury (and Satan and Lucifer), as well as the goddess, are honored for their role in facilitating the dimensional transit.
Dates are important for pagan rituals. I note that June 1, 2016, depending on how you write it, is either palindromic (or reflexive) (6/1/16), or is a repetition of a signal number (1/6/16).
16 = 8+8 or 88 so 1/6/16 repeats it for emphasis, 88 and 88
That's the signal number for Mercury, as the number of days it takes to orbit the sun. That god, who is being celebrated, is the speedy messenger of the gods and the psychopomp who escorts others into the underworld realm.
This same kind of thing is what the Olympic ceremonies are always about, and you can be assured that sacrificial rites are being performed already for that undertaking, just as they have been for what was just witnessed in Switzerland. BTW, Geneva is claimed by some to be the #1 most Occult city in the world.
These pagan rituals, both public and private, have an impact. Not just on those who participate and are witnesses, but on all of us because it changes the world.
The
performance began with a cohort of miners dressed in orange jump suits,
marching like zombies toward the tunnels entrance (depicted on a video screen).
The miners were then seemingly sacrificed to the tunnel and emerged as veiled
spirits (represented by dancers in underwear with white wedding veils), and an
actor dressed as a goat sprung out and began ritualistically consuming and
mating with the veiled dancers. During this segment a headshot of the actor
dressed as a goat was displayed on the video screen with a black and red
backdrop and an absorbing fire lofting around his face, while three Egyptian
scarabs floated in front of the screen. The next scene shifted to pagan druid
ceremony, with the actors now draped in black subdued clothing and adorning
nests, plants and trees on their heads. As the goat man laid on the floor an
upside down tree was displayed on the video screen and the actors chanted a
song in a mix of Ancient Germanic and Italian. The ceremony ends with the goat
man being resurrected and worshipped as he is introduced to technology,
industry and modern society — with many of the actors clothed as cross
dressers, drifters and harlots.
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